Hearing in Time: Psychological Aspects of Musical Meter
Hearing in Time: Psychological Aspects of Musical Meter
Justin London
ISBN10: 0199744378
ISBN13: 978-0199744374
Hearing in Time: Psychological Aspects of Musical Meter
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Our sense that a waltz is "in three" or a blues song is "in four with a shuffle" comes from our sense of musical meter. Hearing in Time explores the metric aspect of our musical experience from a psychological point of view. Musical meter is subject to a number of fundamental perceptual and cognitive constraints. These constraints are the cornerstones of Hearing in Time's account of musical meter. Hearing in Time also takes into account the fact that listening to music, like many other rhythmic activities, is something that we do a lot. It also approaches meter in the context of music as it is actually performed, with nuances of timing and dynamics, rather than as a theoretical idealization. |
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| title | Hearing in Time |
| authors | Justin London |
| publisher | Oxford University Press |
| publishedDate | 2012-05-24 |
| description | When we hear music we don't just listen; we move along with it. Hearing in Time explores our innate propensity for rhythmic synchronization, drawing on research in music psychology, neurobiology, music theory, and mathematics. It looks at music from a wide range of musical styles and cultures. |
| pageCount | 234 |
| printType | BOOK |
| categories | Music |
| maturityRating | NOT_MATURE |
| panelizationSummary | |
| language | en |
| canonicalVolumeLink | https://books.google.com/books/about/Hearing_in_Time.html?hl=&id=XZ92CpoLlVoC |
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